“We’re switching things up a little. After four albums I’ve decided to step out and start using my own name. It’s something that a lot of people have encouraged me to do over the years, and I guess that 2017 just felt right.” That name, Amanda Anne Platt & The Honeycutters, is also the title of the band’s new album, which will be released by Organic Records on June 9, 2017. “We’re keeping The Honeycutters too because we don’t want to confuse people…really, we’ve always been Amanda Anne Platt and the Honeycutters. I think I’ve just gotten to a place where I feel comfortable enough to be in the spotlight.”

Lyrically driven, the songs on Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Amanda says of the album, “I think it’s just about life and all that that entails. Including but not limited to death, strangers, birthdays, money, leaving, arriving, seasons, corruption, and love.”

Performing along with Platt, The Honeycutters are Matt Smith on pedal steel and Stratocaster, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and Telecaster.

Amanda Anne Platt & The Honeycutters is the group’s third release on Organic Records, and fifth album. Assembling the same the same team as 2016’s On The Ropes Balsam Range’s Tim Surrett steps in for the second time to co-produce this album along with Amanda. Its thirteen tracks were recorded, mixed, and mastered by Scott Barnett at Crossroads Studios in Arden, NC.

There is an empathetic and charming wit engrained in Amanda’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life.

In the lead off track, “Birthday Song,” Amanda writes with a gentle optimism, “Every time it gets colder I get another year older… I start looking for lines in the bathroom mirror… but when I lay down at night I swear I must have done something right… cause I’m still so damn glad to be here… I’ve been trying to love the questions, and keep on guessing.” Written just before her 30th birthday, Platt calls the song, “a summation of everything I learned in that decade.”

There is an easygoing warmth to the album, enhanced by the its refined arrangement and production; from the upbeat “Diamond in the Rough” to the poetic and observational “Eden” to the very personal, yet universal, “Brand New Start” to “Late Summer’s Child” (an ode to her favorite season) and “Rare Thing” (a song commissioned from Platt from a fan as a love song to his wife that ended up being included on the album. “Your mama said that it would never last… but these years go by so fast… and you’re the song I’m humming to myself as I’m counting the miles… you’re such a rare thing.”) One can feel it even in songs with a more solemn concept behind them like, like “Long Ride,” which speaks of living in the moment in the face of mortality.

Platt wrote “Learning How To Love Him” after hearing an acquaintance of hers talk about learning that her husband of 40+ years was terminally ill. She says, “What really struck me was how she described the tenderness that the news brought back to their relationship.” Amanda sings, “’I woke last night and I felt so afraid, I turned on the light and shook him awake and we stared at the ceiling, listening to the sink drip… I spent my whole life learning how to love him and I never loved him more than I do today.”

The successes of On The Ropes [2016] and Me Oh My [2015] have propelled Anna Anne Platt and The Honeycutters onto the national scene and they have been featured on NPR’s World Cafe’s Sense of Place, NPR’s Mountain Stage, Nashville’s Music City Roots, and Folk Alley and they have performed at AmericanaFest, MerleFest, and IBMA. On The Ropes debuted at #39 on iTunes Top 40 Country Chart on release day and landed on a plethora of year end lists including placing #35 on the Top 100 Albums played on Americana Radio in 2016 and landing at #1 on Western North Carolina’s WNCW Radio’s Year End Listeners Poll of Top Albums of 2016!

On The Ropes hit #11 on the EuroAmericana Chart and The UK’s Julian Piper with Acoustic Magazine says, “Amanda Platt has one of those gorgeous heartache-drenched voices that brings to mind Loretta Lynn or Sheryl Crow.”

Amanda Anne Platt & The Honeycutters plan to tour extensively in US this year and will travel to Europe for the first time in the summer. They are excited to release Amanda Anne Platt & The Honeycutters to the world this spring!

Amanda Anne Platt & The Honeycutters Track Listing
1. Birthday Song 4:15
2. Long Ride 3:47
3. What We’ve Got 4:46
4. Diamond In The Rough 4:37
5. Eden 5:33
6. The Guitar Case 4:18
7. Learning How To Love Him 4:17
8. Brand New Start 3:14
9. Late Summer’s Child 3:57
10. The Good Guys (Dick Tracy) 4:38
11. Rare Thing 4:43
12. The Things We Call Home 2:39
13. The Road 2:40

“We’re switching things up a little. After four albums I’ve decided to step out and start using my own name. It’s something that a lot of people have encouraged me to do over the years, and I guess that 2017 just felt right.” That name, Amanda Anne Platt & The Honeycutters, is also the title of the band’s new album, which will be released by Organic Records on June 9, 2017. “We’re keeping The Honeycutters too because we don’t want to confuse people…really, we’ve always been Amanda Anne Platt and the Honeycutters. I think I’ve just gotten to a place where I feel comfortable enough to be in the spotlight.”

Lyrically driven, the songs on Amanda Anne Platt & The Honeycutters blend the band’s old-school country roots attitude with their shared influences of rock and folk. Amanda says of the album, “I think it’s just about life and all that that entails. Including but not limited to death, strangers, birthdays, money, leaving, arriving, seasons, corruption, and love.”

Performing along with Platt, The Honeycutters are Matt Smith on pedal steel and Stratocaster, Rick Cooper on bass, Josh Milligan on drums and harmony vocals, and Evan Martin on keys and Telecaster.

Amanda Anne Platt & The Honeycutters is the group’s third release on Organic Records, and fifth album. Assembling the same the same team as 2016’s On The Ropes Balsam Range’s Tim Surrett steps in for the second time to co-produce this album along with Amanda. Its thirteen tracks were recorded, mixed, and mastered by Scott Barnett at Crossroads Studios in Arden, NC.

There is an empathetic and charming wit engrained in Amanda’s songwriting. She has a knack for accessing a deep well of emotion and applying it to her story-telling, whether she is writing from her own experiences or immersing herself into the melody of emotions in another person’s life.

In the lead off track, “Birthday Song,” Amanda writes with a gentle optimism, “Every time it gets colder I get another year older… I start looking for lines in the bathroom mirror… but when I lay down at night I swear I must have done something right… cause I’m still so damn glad to be here… I’ve been trying to love the questions, and keep on guessing.” Written just before her 30th birthday, Platt calls the song, “a summation of everything I learned in that decade.”

There is an easygoing warmth to the album, enhanced by the its refined arrangement and production; from the upbeat “Diamond in the Rough” to the poetic and observational “Eden” to the very personal, yet universal, “Brand New Start” to “Late Summer’s Child” (an ode to her favorite season) and “Rare Thing” (a song commissioned from Platt from a fan as a love song to his wife that ended up being included on the album. “Your mama said that it would never last… but these years go by so fast… and you’re the song I’m humming to myself as I’m counting the miles… you’re such a rare thing.”) One can feel it even in songs with a more solemn concept behind them like, like “Long Ride,” which speaks of living in the moment in the face of mortality.

Platt wrote “Learning How To Love Him” after hearing an acquaintance of hers talk about learning that her husband of 40+ years was terminally ill. She says, “What really struck me was how she described the tenderness that the news brought back to their relationship.” Amanda sings, “’I woke last night and I felt so afraid, I turned on the light and shook him awake and we stared at the ceiling, listening to the sink drip… I spent my whole life learning how to love him and I never loved him more than I do today.”

The successes of On The Ropes [2016] and Me Oh My [2015] have propelled Anna Anne Platt and The Honeycutters onto the national scene and they have been featured on NPR’s World Cafe’s Sense of Place, NPR’s Mountain Stage, Nashville’s Music City Roots, and Folk Alley and they have performed at AmericanaFest, MerleFest, and IBMA. On The Ropes debuted at #39 on iTunes Top 40 Country Chart on release day and landed on a plethora of year end lists including placing #35 on the Top 100 Albums played on Americana Radio in 2016 and landing at #1 on Western North Carolina’s WNCW Radio’s Year End Listeners Poll of Top Albums of 2016!

On The Ropes hit #11 on the EuroAmericana Chart and The UK’s Julian Piper with Acoustic Magazine says, “Amanda Platt has one of those gorgeous heartache-drenched voices that brings to mind Loretta Lynn or Sheryl Crow.”

Amanda Anne Platt & The Honeycutters plan to tour extensively in US this year and will travel to Europe for the first time in the summer. They are excited to release Amanda Anne Platt & The Honeycutters to the world this spring!

Amanda Anne Platt & The Honeycutters Track Listing


1. Birthday Song 4:15
2. Long Ride 3:47
3. What We’ve Got 4:46
4. Diamond In The Rough 4:37
5. Eden 5:33
6. The Guitar Case 4:18
7. Learning How To Love Him 4:17
8. Brand New Start 3:14
9. Late Summer’s Child 3:57
10. The Good Guys (Dick Tracy) 4:38
11. Rare Thing 4:43
12. The Things We Call Home 2:39
13. The Road 2:40

What folks are saying

“Amanda is so good it’s ridiculous. I don’t even know what words to use. Her singing, songwriting and presence is unmatched in Americana, Country, Pop… Simply breathtaking,” said Saul Davis: producer (Percy Sledge), manager (Gene Clark, Carla Olson, Phil Seymour).

“Amanda Platt writes songs on par with Lucinda, Isbell, Lauderdale, Hank Sr. In my opinion, anyway.” said, WNCW’s Music Director Martin Anderson to No Depression.

“Platt’s voice is fair magical. Clearly annunciated, every word is infused with poetic loveliness, made all the more appealing for the slight twang that causes syllables to rise and fall at the end of lines. Like Joy Lynn White once upon a time and Zoe Muth more recently, Platt can sing of desperation and despair while retaining pride of steel… throughout On the Ropes Platt delivers personal devastation that touches universally.” Lonesome Road Review, Donald Teplyske

“The easy swagger of ‘On the Ropes,’ the saunter and sway of ‘Golden Child,’ the unassuming ramble of ‘The Handbook’ and the sweet serenade of ‘500 Pieces’ projects an effortless allure that remains consistently engaging throughout… obviously destined to become a heavyweight contender.” No Depression, Lee Zimmerman

“Forget Nashville, with their buzz-making brand of rock-roots-country, the Honeycutters are out to make Asheville, NC the brand new music city.” Elmore Magazine Song Premiere: “On The Ropes”

“Whenever you feel that country music is reinventing itself to the extreme and drifting off into dangerous waters, dig just slightly below the surface and salvation is at hand… The devil is in the detail. This is a band that relies on traditional country music instrumentation played and performed by artists who remain true to country music heritage.” Your Life in a Song (UK)

“On The Ropes wonderfully showcases Platt’s dazzling songwriting skills with themes of loss, loneliness, nostalgia and getting the shit kicked out of you by love. All thirteen tracks are original material, except for a fascinating cover of Leonard Cohen’s iconic ‘Hallelujah’, sung in a spellbinding manner and just dripping of honeysuckle and moonshine.” That Music Mag, Jane Roser

“On The Ropes, I suppose, is Americana. Occupying the space where Sturgill Simpson and Jason Isbell and Margo Price dwell, what used to be called country (but what is being called country just isn’t). There are such finely realized moments and details here…” Popshifter, Melissa Bratcher

“There are songs here like Blue Besides that could easily fit on a Kacey Musgraves album while others would not feel out of place on a Eilen Jewell release. That just shows the versatility and scope of the band, it’s music and Platt’s writing.”Lonesome Highway, Stephen Rapid

“An album that shines like a good deed in a naughty world.” 3rd Coast Music, Johnny Conquest

“Amanda Anne Platt, lead singer/songwriter for the Honeycutters, is a master songwriter, not because she finds unusual metaphors, creates cute wordplay, or buries deep psychological meaning in her lyrics, but because her songs are so effortlessly conversational. She’s like that old friend at the bar who sidles up to you real close, in your personal space, and grabs your forearm to get your attention because she really really wants to make sure you get what she’s telling you. Her songs command attention because they are so darn human you believe them.” Americana Music Show, Calvin Powers

What folks are saying
“Platt’s voice is fair magical. Clearly annunciated, every word is infused with poetic loveliness, made all the more appealing for the slight twang that causes syllables to rise and fall at the end of lines. Like Joy Lynn White once upon a time and Zoe Muth more recently, Platt can sing of desperation and despair while retaining pride of steel… throughout On the Ropes Platt delivers personal devastation that touches universally.” Lonesome Road Review, Donald Teplyske

“The easy swagger of ‘On the Ropes,’ the saunter and sway of ‘Golden Child,’ the unassuming ramble of ‘The Handbook’ and the sweet serenade of ‘500 Pieces’ projects an effortless allure that remains consistently engaging throughout… obviously destined to become a heavyweight contender.” No Depression, Lee Zimmerman

“Forget Nashville, with their buzz-making brand of rock-roots-country, the Honeycutters are out to make Asheville, NC the brand new music city.” Elmore Magazine Song Premiere: “On The Ropes”

“Whenever you feel that country music is reinventing itself to the extreme and drifting off into dangerous waters, dig just slightly below the surface and salvation is at hand… The devil is in the detail. This is a band that relies on traditional country music instrumentation played and performed by artists who remain true to country music heritage.” Your Life in a Song (UK)

“On The Ropes wonderfully showcases Platt’s dazzling songwriting skills with themes of loss, loneliness, nostalgia and getting the shit kicked out of you by love. All thirteen tracks are original material, except for a fascinating cover of Leonard Cohen’s iconic ‘Hallelujah’, sung in a spellbinding manner and just dripping of honeysuckle and moonshine.” That Music Mag, Jane Roser

“On The Ropes, I suppose, is Americana. Occupying the space where Sturgill Simpson and Jason Isbell and Margo Price dwell, what used to be called country (but what is being called country just isn’t). There are such finely realized moments and details here…” Popshifter, Melissa Bratcher

“There are songs here like Blue Besides that could easily fit on a Kacey Musgraves album while others would not feel out of place on a Eilen Jewell release. That just shows the versatility and scope of the band, it’s music and Platt’s writing.”Lonesome Highway, Stephen Rapid

“An album that shines like a good deed in a naughty world.” 3rd Coast Music, Johnny Conquest

“Amanda Anne Platt, lead singer/songwriter for the Honeycutters, is a master songwriter, not because she finds unusual metaphors, creates cute wordplay, or buries deep psychological meaning in her lyrics, but because her songs are so effortlessly conversational. She’s like that old friend at the bar who sidles up to you real close, in your personal space, and grabs your forearm to get your attention because she really really wants to make sure you get what she’s telling you. Her songs command attention because they are so darn human you believe them.” Americana Music Show, Calvin Powers

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